SINCE THE ACTUAL GARMENT WAS 3D PRINTED IN REAL LIFE, 

I KNEW IT WOULD BE EQUALLY AS MUCH OF A CHALLENGE TO CREATE IT IN 3D.  FOLLOWING THE SAME CONSTRUCTION TECHNIQUES USED WITH THE PHYSICAL GARMENTS, I CREATED THE ORGANZA BASE LAYERS FIRST. 

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NEXT, ADDING THE "PETAL" PIECES AND SEWING THEM TO THE BASE GARMENT IN THE PROGRAM. EACH ONE STRATEGICALLY PLACED TO ALLOW INDIVIDUAL ORGANIC MOVEMENT.

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IN TOTAL, THERE ENDED UP BEING AROUND 135 DIGITAL PATTERN PIECES.